This latest incarnation of one of the most long-lived Mac-based sequencers has its roots in Performer, which was first released way back in 1985. There are other new guitar processing tools too, including the Soloist — which models a 1990s Mesa Rectifier amp — and Live Room B, a physically modelled bass guitar speaker cab with multiple, moveable mics. The new default look, though, is excellent, modern, stylish and at the same time remains clear and easy on the eye. Additionally, many windows have a title-bar mini-menu which provides specific features not available in the main menus. This gargantuan sound library includes multi-sampled acoustic instruments, synths, loops, and phrases with over 300 different instruments, 1,100 instrument presets, and 500 loops. My wish list for the Mixing Board window is short but directed: I would like to be able to open a console snapshot levels, aux routings, master settings, effects, and so forth in another sequence for projects that include multiple files with identical board layouts — a critical requirement for audiovisual work with a lot of similar cues.
Since 1990, has been playing a vital role in the music production and film industry. Keith Gemmell reckons Digital Performer 9 looks set to continue the tradition. Can a raft of new features and a port to the Windows platform help raise the profile of Digital Performer? There's so much good about it that it would be editorial suicide to try and list it all — but here are the best bits. A range of delay-based plug-ins covers chorus, flanging, standard echo and stereo ping-pong types, whilst for tonal manipulation there's Multimode Filter, a ring modulator, the harsh-sounding Preamp-1 and the more complex Sonic Modulator, which includes a filter, crossover, pitch manipulation and delay. More recently, however, it has seen significant changes to its interface, and with version 8 comes to the Windows platform for the first time, which is likely to increase its appeal. I've used that method many times on projects that were produced in Digital Performer and later mixed in Pro Tools.
Plug-in and preset management is now much simpler too, with dedicated windows letting you enable or disable plug-ins or create your own custom sets simply and easily. Control of the automation process comes through five automation modes that you can select from a drop-down menu in each channel strip. It can hold its own with any other sequencing package, and is a stable, mature platform for all sorts of projects. Various display modes allow for velocity editing directly in the note lanes. If you were to drag the new punched-in Soundbite to another track, you would still see the remaining part of the original Soundbite.
One thing that has always been in Digital Performer 's favour is its copy-protection scheme — or lack of it! The shape or periodic waveform generated by the Pencil tool can be set to free, straight line, flat, triangle, sine, square, random lines, random steps, parabola, or spline. In short, some cool continuous controller effects — such as panning, volume changes, or filtering — can be penciled in quickly, which can make an exciting sequence out of mundane parts if you supply a little creativity. I'd also love to see something a bit more leftfield — maybe a pattern-based granular synthesis plug-in, for example. But on both my dual-2. Of course, if you're not a heavy user of software instruments, or you have reliable zero-latency monitoring in place for audio recording, this is a moot point.
With a single intuitive window it looks and sounds like a winner. Individual tracks can have different levels of vertical zoom, and any selection of tracks can be shown or hidden at any one time. This is fine in practice, but I can't help thinking that it would bring an improvement in ease of use for some aspects of editing. Always with customised added value for musicians. .
This also affects the price - to our customers' benefit, of course. Each track can have as many as 20 inserts and 64 buses 32 stereo , and a track can be bused to a new channel strip for further processing if those aren't enough. The program includes four advanced surround panners: ArcPanner a high-resolution panning dish , n-Panner providing Cartesian coordinates on a square grid , TriPan offering sophisticated three-way divergence controls , and Auralizer a room simulator that uses psychoacoustic cues for localization. Most of my wish list is pretty nitpicky, though there are a few significant features I'd like to see. For example, you can fold down the multiple outputs of a surround setup into a stereo mix pair by loading a different Audio Bundle configuration.
Some of the new features described here were actually introduced in version 4. The remaining Soundbite fragments can accumulate and add confusion to the editing process. What's more, it doesn't preclude the use of Auto-Tune if you prefer that automated, highly processed effect. For example, Beat Detection analyses all audio for rhythmic and transient content, which then facilitates audio editing, quantising, time-compression and expansion, and audio groove extraction. It's a similar story with input monitoring buttons. Get ready to be blown away by how good it sounds. In Continuous Scrolling mode, the playback wiper stays positioned in the middle of the screen while the data scrolls behind.
Data can be viewed as points, bars, or lines; color shading in Bars mode makes seeing the contour of the controller changes easier. Identify and manage plug-ins that impose high processing demands on your computer. When was anything all good, though? It's a vast improvement, but I did encounter an inconsistency within one of the four available input monitoring modes that determine how pre-existing track audio is combined with the live audio input during playback and punch-in. Metric Halo's SpectraFoo provides comprehensive metering software, including spectrum analyzers, spectrographs, code and matrix meters, and a host of other detailed displays. According to the company, version 3. The Sequence Editor window is a great tool for post scoring, especially if you can dedicate a second monitor to display the full-motion video on Digital Performer's separate QuickTime Movie window which scrubs frame by frame as you drag Soundbites, automation control points, and other onscreen elements.
Before Installing Software You Must Watch This Installation Guide Video. Those functions are there, but under a different guise. Too bad it can't be reshaped into a 3-by-3 box, which would be my preference. This all works swimmingly, except for one thing. Then there's the bundled instruments, which sound excellent.
A click of a button takes a snapshot of the mixer setup, and an unlimited number of fully automated mixes can be created and recalled instantly. The surround-sound capabilities, QuickTime video features, and unbelievably great automated mixer will ensure the proliferation of Digital Performer rigs in post facilities and studios that are moving to native systems as computing power rapidly increases. A custom key-binding feature allows almost every operation in Digital Performer to have a customizable key command that is saved in a separate file. Your projects can get perfection with the help of it. We are musicians ourselves and share your passion for making it. Digital Performer 9 delivers inspirational features devised to ignite your creative muse, combined with state-of-the-art studio production technologies engineered for the most demanding, world-class recording and production environments.