He tells her that mastaru saved his life in his childhood when he met with an accident. Krishna Prasad, who fights for equality of the poor with rich, against the new government, finds a highway robber Nakkajittula Naaganna Naga Bhushanam captured by a couple of men. In a parallel thread, a good Samaritan played by Chandramohan runs a school for orphans and is in danger of losing his school due to debts. With a plan to earn money and help the poor people, Krishna Prasad secures him with ropes and submits him at the court. The cast of the film included : Superstar , Heroine , Nagabhushanam, K.
How many times will the heroine meet a complete Pappu character, hate him first and subsequently fall in love with the hero for no rhyme or reason whatsoever? The other thing that Mosagallaki Mosagadu makes you wonder about is whether the directors of today have lost the ability to write a decent romantic track into a movie. Mosagallaki Mosagadu takes off interestingly enough, but hits the brakes hard because of the desire to project Sudheer Babu as a superhero. Bijili loves Krishna Prasad and tries to get rid of Radha. So small budget films like these too are also getting chic styling for their leads. The concept of the film was inspired from movies such as , , etc.
They lock the treasure with five keys and the two friends separate, so as to make the key unavailable to the Britishers. The technical aspects are pretty average too. Daanaala Dharmayya, who is unaware of the murderers, is about tell some thing, utters his friend's name Pagadaala Subbayya and dies. Aiming to be mass entertainer, this film doesn't make any false claims. The film ends with Krishna and Nandini uniting and the idols returned to the temple. Meanwhile, the bank auctions the land of the school for loan recovery.
The film stars Sudheer Babu and Nandini in the lead roles. Krishna Prasad saves Nakkajittuala Naaganna, who becomes his pal again. Running time 143 minutes Country India Language Telugu Mosagallaku Mosagadu 1971 was the first Indian, , with action. Technically, the film is mediocre. This is a definition that needs to be drilled into all the directors of Tollywood who even intend to make a sequel. Most of the film was shot in , while a song in it was shot in.
One day, Nakkajittuala Naaganna tries to steal Krishna Prasad's loot. By torturing the blind man, Sathyam Kaikala Satyanarayana one of the villains knows the clue of Daanala Dharmayya in Kurnool. Pagadala Subbayya escapes to and Daanala Dharmayya escapes to the court of. When Krishna Prasad is about to save an innocent guy hanging to death in an attempt to earn wealth, Nakkajittuala Naaganna and Bijili captures him alive and torture him in the desert. The fight goes between three parties, that is between two parties of villains and Krishna Prasad. And how many songs will the two break into without even a good leading scene? In the desert, when Krishna Prasad is about to die of thirst, Nakkajittuala Naaganna and Biliji see a cart of corpses pulled by a camel.
He also reveals that he had given the keys to Komarayya, a retired constable in Kurnool. The film stars Sudheer Babu and Nandini in the lead roles. Adiseshagiri Rao, directed by under the banner of Sri Padmalaya Films in 1971. With the loot obtained from the government, Krishna helps the poor. Radha reveals that her father Daanaala Dharmayya used to work for constable Komarayya. Sequel: a literary work, movie etc. Sequel: a literary work, movie etc.
Krishna returns the idol to Rudra and manages to stay with him. The story was ripped off from Western movies by , without acknowledging any of the movies. A slow first half and predictable nature of the script are basic drawbacks. Satyanarayana , with his men goes to torture Daanaala Dharmayya, but kills him in haste. They share the loot later. Nandini Rai has one expression throughout, and appears perfectly coiffured in every scene. Rudra plans to sell the idol during a marriage of Guruji's henchman.
He comes out of the desert, with grudge on Krishna Prasad and joins Bijili. Some unnecessary confusions are created which are not resolved towards the ending. In fact Pagadaala Subbayya, while dying because of old age, reveals the place of treasure to his son. Rudra , the mastermind behind the robbery, sets a deal of Rs 20 Crores 200 millions for the idols. It then derails further due to a completely insipid love story.
Krishna Prasad, staying away from home, keeps on earning money by submitting Nakkajittula Naaganna to the court, and then releasing him by tricks for sharing the loot. When Nakkajittuala Naaganna and Bijili goe to bring a pot of water hung to their camels, the son of Pagadaala Subbayya reveals the secret of the treasure to Krishna Prasad. The others go through the motions. It is absolutely the same plot with a weak narration. We'd go one step ahead - miss the entire movie! The new director Bose, who picks up a decent plot thread, does not manage to weave an engaging yarn.
Before the Britishers are about to attack the dynasty, a couple of friends Daanaala Dharmayya Gummadi and Pagadaala Subbayya hide the treasure in a cave of five doors, very far away. Nakkajittula Naaganna is made to sit on a horse and he is tied to a two-pole gibbet at the court. Krishna Prasad, hiding behind a tree little far away, shoots the ropes of the gibbet, making Nakkajittula Naaganna to escape along with him. Nandini looks decent in her parts. How many times will the hero fall in love at first sight and stalk the heroine? He falls in love with her and trains her in gun shooting, making her a cowgirl.